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1650 · Magia Adamica

Magia Adamica · 1650 · Section 9 of 11

Magia Adamica and Coelum Terrae, part 6 of 8

This is true; As the Ayre, and all the Volatile Substances in it, are restlesse, even so it is with the first Matter. The eye of Man never saw her twice under one and the same shape but as Cloudes driven by the winde are forced to this, and that figure, but cannot possibly retain one constant forme, so is shee persecuted by the fire of Nature; for this fire, and this water are like two Lovers, they no sooner meet, but presently they play and toy, and this Game will not over till some new Babee is generated. I have oftentimes admired their subtil perpetual Motion, for at all Times, and in all places these two are busie, which occasioned that Notable sentence of Trismegistus, That Action was the Life of God. But most excellent, and Magisterial is that Oracle of Marcus Antoninus, who in his Discourse to himself, speaks indeed things worthy of himself, [non-Latin script] The Nature (saith he) of the Universe delights not in any Thing so much, as to alter all Things, and then to make the like again. This is her Tick Tack, shee playes one Game, to begin another. The matter is placed before her like a peece of Wax, and shee shapes it to all formes, and figures. Now shee makes a Bird, now a Beast, now a Flowre, then a Frog and shee is pleas'd with her own Magicall performances, as men are with their own fansies. Hence shee is call'd of Orpheus, [non-Latin script] and [non-Latin script] the Mother that makes many Things, and ordaines strange shapes, or figures. Neither doth shee, as some sinfull Parents doe, who having their pleasure, care not for their Child; shee loves them still after shee hath made them, hath an eye over them all, and provides even for her Sparrowes. IT is strange to consider that shee workes as well privatly as publicly, not onely in Gardens where Ladyes may smell her perfumes, but in remote Solitudes and Deserts. The Truth is, shee seeks not to please others so much as her self, wherefore many of her works, and those the Choysest, never come to Light. Wee see little Children, who are newly come from under her hand, will be dabling in 'Dirt and Water, and other idle sports affected by none but Themselves. The Reason is, they are not as yet Captivated, which makes them seek their own pleasures; But when they come to Age, then Love or Profit makes them square their Actions according to other mens Desires. Some Cockney claps his Revenues on his backe, but his Galantrie is spoil'd, if his Mistris doth not observe it. Another fights, but his Victory is lost, if it be not Printed, it is the world must heare of his Valour. Now Nature is a free spirit, that seeks no Applause, shee observes none more than her self, but is pleased with her own Magic, as Philosophers are with their Secret Philosophie. Hence it is that wee find her busie, not onely in the Potts of the Balconies, but in Wildernesses, and ruinous places, where no eyes observe her, but the Starrs and Planets. In a word, wheresoever the fire of nature finds the Virgin Mercurie, there hath he found his Love, and there will they both fall to their Husbandrie, a pleasure not subject to Surfets, for it still Presents new Varieties. It is reported of Marc Antonie, a famous, but unfortunate Romane, how he sent his Agent over the world to Copie all the handsome faces, that amongst so many excellent features, hee might select for himself the most pleasing peece. Truly Nature is much of this straine, for shee hath infinite beauteous patternes in her self, and all these shee would gladly see beyond her self, which shee cannot doe without the matter, for that is her Glasse. This makes her generate perpetually, and imprint her conceptions in the matter, communicating life to it, and figuring it according to her Imagination. By this Practice shee placeth her Fansie, or Idea, beyond her self, or as the Peripatetics say, extra Intellectum, beyond the divine Mind, namely in the Matter; but the Idea's being innumerable, and withall different, the pleasures of the Agent are maintain'd by their Varietie, or to speak more properly by his own fruitfulnesse, for amongst all the Beauties the world affords, there are not two, that are altogether the same. Much might bee spoken in this place concerning Beautio, what it is, from whence it came, and how it may be defaced, not onely in the outward figure, but in the inward Idea, and lost for ever in both worlds. But these pretty shuttles I am no way acquainted with, I have no Mistris but Nature, wherefore I shall leave the fine Ladies to fine Lads, and speak of my simple AElia Laelia.

It was scarce Day, when all alone
I saw Hyanthe and her Throne.
In fresh, green Damascs she was drest,
And o're a Saphir Globe did rest.
This slipperie Sphaere when I did see,
Fortune, I thought it had been Thee.
But when I saw shee did present
A Majestie more Permanent,
I thought my Cares not lost, if I
Should finish my Discoverie.

Sleepie shee look'd to my first sight,
As if shee had Watch'd all the Night,
And underneath, her hand was spread,
The White Supporter of her head.
But at my Second, studied View,
I could perceive a silent Dew
Steale down her Cheeks; lest it should Stayne
Those Cheeks where onely Smiles should reigne.
The Tears stream'd down for haste, and all
In Chaines of liquid Pearle did fall.
Faire Sorrows; and more dear than Joyes,
Which are but emptie Ayres and Noyse,
Your Drops present a richer Prize,
For they are Something like her Eyes.

Pretty, white Foole! why hast thou been
Sulli'd with Teares, and not with Sin?
'Tis true: thy Teares, like Polish'd Skies,
Are the Bright Rosials of thy Eyes,
But such strange Fates doe them attend,
As if thy Woes would never end.
From Drops to Sighes they turn, and then
Those sighes return to Drops agen:
But whiles the Silver Torrent seeks
Those Flowr's that watch it in thy Cheeks,
The White and Red Hyanthe weares,
Turn to Rose-water all her Teares.

Have you beheld a Flame, that springs
From Incense, when sweet, curled, Rings
Of smoke attend her last, weak Fires,
And Shee all in Perfumes expires?
So dy'd Hyanthe. Here (said shee)
Let not this Vial part from Thee.
It holds my Heart, though now 'tis Spill'd,
And into Waters all distill'd.
'Tis constant still: Trust not false Smiles,
Who smiles, and weeps not shee beguiles.
Nay trust not Teares: false are the few,
Those Teares are Many, that are True.
Trust Mee, and take the better Choyce,
Who hath my Teares, can want no Joyes.

I know some Sophisters of the Heptarchie, I mean those, whose Learning is all Noyse, in which Sense even Py-annets, and Paraquitoes are Philosophicall, will conclude this, all Bayt and Poetrie, that wee are Pleasing not Positive, and cheat even the Readers Discretion. To prevent such impotent Calumnies, and to spend a little more of our secret Light upon the welldisposed Student, I shall in this place produce the Testimonies of some able Philosophers concerning the first Matter it self, as it is naturally found, before any alteration by Art; and here verily the Reader may discover the Mark, it is most easily done, if he will but eye the Flights of my Verse, or follow the more grave pace of their Prose. The first I shall cite is Arnoldus de Villâ novâ, an absolute perfect Master of the Art, hee describes the Philosophicall Chaos, in these plain termes. Lapis est, & non lapis, Spiritus, Anima, & Corpus; Quem si dissolvis, dissolvitur, & si coagules, coagulatur, & si volare facis, volat; Est enim Volat ilis, ulbus ut lacryma oculi: postea efficitur citrinus, salsus, pilis carens: quem nemo suâ linguâ tangere potest. Ecce ipsum jam suâ demonstravi descriptione, non tamen nominavi. Modo volo ipsum nominare, & dico, quod si dixeris eum Aquam esse, verum dicis; & si dixeris eum Aquam non esse, mentiris. Ne igitur decipiaris pluribus descriptionibus, & operationibus, unum enim quid est, cui nihil alieni infertur. It is (saith hee) a stone and no stone Spirit, Soule, and Bodie; which if thou dissolvest, it will bee dissolved, and if thou doest coagulat it, it will be coagulated, and if thou doest make it fly, it will fly; for it is Volatil, or flying, and cleare as a teare; afterwards it is made citrine then saltish, but without shoots. or Chrystals, and no man may touch it with his Tongue. Behold I have described it truly to thee, but I have not named it. Now I will name it, and I say, that if thou sayest it is Water, thou doest say the Truth, and if thou sayest it is not water, thou doest lie. Bee not therefore deceived with manifold Descriptions and Operations, for it is but one Thing, to which nothing Extraneous may be added. Thus Arnoldus; and he borrowed this from the Turba. Let us now heare his Disciple Raymund Lullie, who speaking very enviously and obscurely of Seven Metallic Principles, describes the Third wherein foure of the seven are included in these words; Tertium (saith hee) est Aqua clara Composita, & illa est res Argento vivo magis propingua, quae quidem reperitur supra Terram currens & fluens. Et istud argentum vivum in omni Corpore Elementato à materia aeris est proprie generatum, & ideo ipsius humidit as est valde ponderosa. That is: The third Principle, is a Cleare Compounded water, and it is the next substance in Complexion to Quick-Silver, it is found running, and flowing upon the Earth. This Quicksilver is generated in every Compound out of the Substance of the Aire, and therefore the moysture of it is extreme heavy. To these I will adde Albertus Magnus, whose Suffrage in this kind of Learning is like the Stylanx to Gold, for hee had thoroughly search'd it, and knew very well what part of it would abide the Test. Mercurius Sapientum (saith hee) est Elementum Aqueum frigidum, & humidum, Aqua permanens, spiritus Corporis, vapor unctuosus, Aqua Benedicta, Aqua virtuosa, Aqua Sapientum, Acetum Philosophorum, Aqua Mineralis, Ros coelestis gratiae, Lac Virginis, Mercurius Corporalis, & aliis infinitis Nominibus in Philosophorum libris nominatur, quae quidem Nomina quamvis varia sunt, sempor tamen unam & eandem rem significant, utpote Solum Mercurium sapientum. Ex ipso solo elicitur omnis virtus Artis Alckimiae, & suo modo Tinctura alba & rubea. In plain English thus; The Mercurie of the Wisemen is a waterie Element, Cold and moyst. This is their Permanent water, the spirit of the Bodie, the anctuous vapour, the Blessed water, the virtuous water, the water of the Wisemen, the Philosophers Vinacre, the Mineral Water the D[…]w of heavenly Grace the Virgins Milk. the Bodily Mercurie and with other numberlesse names is it named in the Bookes of the Philosophers, which names truly though they are divers notwithstanding alwayes signifie one and the same thing, namely the Mercurie of the Wisemen. Out of this Mercurie alone all the Virtue of the Art is extracted and according to its Nature the Tincture both Red and White. To this agrees R[…] the Persian; Sperma Lapidis (saith hee) est frigidum & humidum in Manifesto, & in Occulto calidum & siccum. The Sperme, or first matter of the stone is outwardly cold and moyst but inwardly Hot and Drie. All which is confirmed by Rhodian, another Instructor (it seemes) of Kanid King of Persia; his words are these; Sperma est album & liquidum, postea rubeum. Sperma istud est lapis fugitivus & est Aereum & Volatile, & est frigidum & humidum, & cali[…]um & siccum. The Sperm (saith hee) is white and Liquid, afterwards red. This Sperm is the flying stone, and it is aereal, and volatil, cold and moyst, hot and drie. To these subscribes the Author of that excellent Tract intituled Liber trium Verborum. Hic est Liber (saith hee) Trium verborum, Liber Lapidis preciosi, qui est Corpus aereum & volatile, frigidum & humidum, aquosum & adustivum, & in eo est Calidit as & siccitas, frigiditas & humiditas, alia virtus in occulto, alia in Manifesto. This is the Book of Three words, meaning thereby Three Principles, The Book of the Precions stone, which is a Body aereal and volatil cold and moyst, watrie and adustive, and in it is Heat and Drought, Coldnesse and Moysture, one virtue inwardly, the other outwardly. Belus the Philosopher in that famous and most Classic Synod of Arisleus, inverts the order, to conceale the practice, but if rightly understood, he speaks to the purpose. Excelsum (sayth hee) est hoc apud Philosophos magnos Lapidem non esse lapidem, apud I diotas vile & Incredibile. Quis enim credet Lapidem Aquam, & Aquam Lapidem fieri, cum nihil sit diver sius? Attamen revera it a est. Lapis enim est haec ipsaper manens Aqua, & dum Aqua est lapis non est. Amongst all great Philosophers it is Magisterial that our stone is no stone, but amongst Ignorants it is ridiculous and incredible. For who will believe that water can be made a stone, and a stone water, nothing being more different than these two? And yet in very truth it is so. For this very permanent water is the stone, but whiles it is water, it is no stone. But in this sense the Ancient Hermes abounds, and almost disvocers too much. Scitote Filii Sapientum, quod priscorum Philosophorum aquae est Divisio, quae dividit ipsam in Alia quatuor. Know (saith hee) you that are the Children of the wise, the Separation of the ancient Philosophers was performed upon water, which Separation divides the water into other foure Substances. There is extant a very learned Author, who hath written something to this purpose, and that more openly than any, whom we have formerly cited. Sicuti Mundus Originem debet Aquae, cui Spiritus Domini incubabat, rebus tàm Coelestibus, quàm Terrestribus omnibus indè prodeuntibus; ita Limbus hic emergit ex Aquâ non vnlgari, ne q; ex Rore Coelesti, aut ex aere Condensato in Cavernis Terrae, vel in Recipiente ipso, non ex Abysso Maris, fontibus, puteis, fluminibusvè hausto, sed ex Aquâ quadam perpessâ, omnibus obviâ, paucissimis cognitâ, Quae in se habet, quaecun q;, ad totius operis Complementum sunt necessaria, omni amoto Extrinsico. As the world (saith hee) was generated out of that Water, upon which the Spirit of God did move, all things proceeding thence, both Coelestiall and Terrestriall So this Chaos is generated out of a certain Water that is not common, not out of Dew, nor Ayre condensed in the Caverns of the Earth, or Artificially in the Receiver; not out of water drawn out of the Sea, Fountains, Pitts, or Rivers, but out of a certain tortured water, that hath suffered some Alteration, obvious it is to All, but known to very few. This water hath all in it, that is necessarie to the perfection of the work, without any Extrinsecal Addition. I could produce a Thousand Authors more, but that were tedious; I shall conclude with one of the Rosie Brothers, whose Testimonie is AEquivalent to the Best of These but his Instruction far more Excellent. His Discourse of the first Matter is somewhat large, and to avoyd prolixitie, I shall forbeare the Latin, but I will give thee his Sense in punctuall plaine English.

I am a Goddesse (saith hee, speaking in the person of Nature) for Beauty and Extraction famous, born out of our own proper Sea, which compasseth the whole Earth, and is ever restlesse. Out of my Breasts I poure forth Milk and Bloud; Boyle these two, till they are turned into Silver and Gold. O most excellent Subject! out of which all things in this world are generated, though at the first sight thou art Poyson, adorn'd with the name of the flying Eagle. Thou art the first Matter, the seed of Divine Benediction, in whose Body there is Heat and Rain, which notwithstanding are hidden from the wicked, because of thy Habit, and virgin vestures which is scatter'd over all the world. Thy Parents are the Sun and Moone, in Thee there is Water and Wine, Gold also and Silver upon Earth, that mortall man may rejoyce. After this manner God sends us his Blessing and Wisdome with Raine, and the Beams of the Sun, to the eternall Glory of his Name. But consider ô Man, what Things God bestows upon thee by this means. Torture the Eagle till shee weeps, and the Lion bee weakened, and bleed to death. The Bloud of this Lion incorporated with the Teares of the Eagle, is the Treasure of the Earth. These Creatures use to devoure and kill one another, but notwithstanding their love is mutuall, and they put on the Proprietie, and Nature of a Salamander, which, if it remains in the fire without any detriment it cures all the Diseases of Men, Beasts and Metals. After that the Ancient Philosophers had perfectly understood this Subject, they diligently sought in this Mysterie for the Center of the Middlemost Tree in the Terrestrial Paradyse, entring in by Five litigious Gates. The first Gate was the Knowledge of the true Matter, and here arose the first, and that a most bitter Conflict. The second was the Praeparation by which this matter was to bee praepared, that they might obtain the Embers of the Eagle, and the Bloud of the Lyon. At this Gate there is a most sharp fight, for it produceth water and bloud, and a Spirituall bright Body. The Third Gate is the Fire, which conduceth to the Maturitie of the Medicine. The Fourth Gate is that of Multiplication and Augmentation in which Proportions and Weights are Necessarie. The fifth and last Gate is Projection. But most glorious, full rich, and high is hee who attains to the fourth Gate, for hee hath got an Universall Medicine for all Diseases. This is that great Character of the Book of Nature, out of which her whole Alphabet doth arise. The fifth gate serves onely for Metals. This Mysterie existing from the Foundation of the World, and the Creation of Adam is of all others the most ancient, a knowledge which God Almighty by his Word breathed into Nature, a miraculous power, the blessed fire of Life, the Transparent Carbuncle, and red Gold of the Wise men, and the Divine Benediction of this life. But this mysterie, because of the Malice and wickednesse of men, is given onely to few, notwithstanding it lives, and moves every day in the sight of the whole world, as it appears by the following parable. I am a poysonous Dragon, present every where, and to bee had for nothing. My water and my fire dissolve and Compound; out of my body thou shalt draw the Green, and the Red Lyon: but if thou doest not exactly know mee, thou wilt with my Fire destroy thy five Senses. A most pernieious quick poyson comes out of my Nostrils, which hath been the Destruction of many. Separate therefore the Thick from the Thin artificially, unlesse thou dost delight in extreme Povertie. I give thee faculties both Male and Female and the Powers both of Heaven and Earth. The Mysteries of my Art are to bee performed magnanimously, and with great Courage, if thou wouldest have mee overcome the Violence of the Fire, in which Attempt many have lost both their Labour and their Substance. I am the Egg of Nature known onely to the Wise, such as are pious and modest, who make of mee a little world. Ordain'd I was by the All-mighty God for men, but (though many desire mee) I am given onely to few that they may relieve the poore with my Treasures, and not set their mindes on Gold that perisheth. I am call'd of the Philosophers Mercurie: my husband is Gold (Philosophicall.) I am the old Dragon that is present every where on the face of the Earth; I am Father and Mother; Youthfull and Ancient; weak and yet most strong; Life and Death; Visible and Invisible; Hard and Soft; Descending to the Earth and Ascending to the Heavens; most high and most low; light and heavy; In mee the Order of Nature is oftentimes inverted, in Colour, Number, Weight and Measure. I have in mee the light of Nature, I am dark and bright, I spring from the Earth, and I come out of Heaven, I am well known, and yet a meer Nothing, all Colours shine in mee, and all Metals by the Beams of the Sun. I am the Carbuncle of the Sun, a most noble clarified Earth by which thou mayest turne Copper, Iron, Tin, and Lead into most pure Gold.

Now Gentlemen you may see which way the Philosophers move, they commend their Secret water, and I admire the Teares of Hyanthe. There is something in the Fansie besides Poetrie, for my Mistris is very Philosophicall, and in her Love a pure Platonio. But now I think upon't, how many Rivals shall I procure by this Discourse? Every Reader will fall to, and some fine Thing may break her heart with Non-sense. This Love indeed were meer Luck, but for my part I dare trust her, and […]est any man should mistake her for some things formerly named, I will tell you truly what shee is; She is not any known water whatsoever, but a Secret Spormatic Moysture, or rather the Venus that yeelds that moysture. Therefore doe not you Imagine that shee is any crude, phlegmatic, thin water, or shee is a fatt, thick, heavie, slimie humiditie; But lest you should think I am grown jealous, and would not trust you with my Mistris, Arnoldus de villanova shall speak for me, hear him. Ampliùs tibi dico, quod nullo modo invenire potuimus, nec similiter invenire potuerunt Philosophi, aliquam rem perseverantem in igne, nisi solam unctuosam Humiditatem. Aqueam humiditatem videmus de facili evapor are, Arida remanet, & ideo separantur, quia non sunt Naturales. Si autem eas humiditates consydereremus, quae difficulter separantur ab his quae sunt Naturales, non invenimus aliquas nisi unctuosas, & viscosas. I tell thee further (saith hee) that wee could not possibly find, neither could the Philosophers find before us, any thing that would persist in the fire, but onely the Unctnous Humiditie. A waterie HUmiditie, we see, will easily vapour away, and the Earth remains behind and the parts are therefore separated because their Composition is not natural. But if wee consider those humidities, which are hardly separated from those parts which are naturall to them, wee find not any such but the unctuous, viscous Humidities. It will be expected perhaps by some Flint, and Antimonie-Doctors, who make their Philosophicall Contrition with a Hammer, that I should discover this Thing out-right and not suffer this strange Bird-lime to hold their pride by the Plumes. To these, I say, it is water of Silver, which some have called water of the Moon, but 'tis Mercurie of the Sun, and partly of Saturn, for it is extracted from these three metalls, and without them it can never bee made. Now they may unriddle, and tell me what it is, for it is Truth, if they can understand it.

EEBO-TCP A64768 (CC0), transcribed from the 1650 edition (Wing V151). Text: Creative Commons 0 1.0 Universal (EEBO-TCP Phase I); original work in the public domain.